Tad Williams - The War of the Flowers (retail) (pdf) Page 6

  Other mysterious objects hung from the ceiling on wires — kites made of skin, lamps that seemed to burn but gave no light; there was even a cloud of feathers that swirled continuously in one high spot near the ceiling as though caught in a whirlwind, gleaming white tufts cycling in and out of one of the columns of light but never scattering no matter how violently they blew.

  The tallest of the three figures continued on until he had reached the far corner of the warehouse, a place where no direct light fell. His two companions, their first curiosity sated — or perhaps curdled into something else — moved forward with a speed that in less graceful creatures might have been mistaken for hurry, and when they stopped they stood close to their leader.

  A seated shape stirred in the darkness of the corner. "Ah," it said. "Welcome, Lord Hellebore."

  The tall one nodded. "I received your message." The thing in the chair moved again, but did not rise, and — to the unspoken but obvious relief of Hellebore's companions — did not come out of the shadows. The Remover of Inconvenient Obstacles was not pleasant to look upon at the best of times and far less so at home. "And you have come. That is very kind of you, very . . . obliging. I do not believe either of your companions have previously visited me here."

  Hellebore nodded and gestured to his fair-haired companion and to the stern-faced fellow whose hair was even darker than Hellebore's own, a black so pure it suggested artifice. "These are the lords Foxglove and Thornapple."

  "Yes, I know them." There was a strange wheezing creak as the Remover stirred again. "You will pardon me, Lords, if I do not offer you my hand in greeting."

  "Think nothing of it," said bearded Foxglove, perhaps a little too quickly. "So, then." This was Thornapple, the First Councillor of Parliament — after Hellebore, the second most powerful man in Faerie. His ancient, chilly eyes were as black as his hair, but his shaggy eyebrows were snowy white, as if they were the only things on him that had aged past indeterminate middle years. "Is it time?"

  "I believe so," said the Remover. "As you specified, Lord Hellebore — and as you paid for — I have kept careful watch. If we wait longer, we may miss our moment."

  "Are you certain we have not missed it already?" There was no trace of impatience on Hellebore's pale face or in his silky voice, although it would have been madness to suppose he was not impatient, even eager.

  "I am certain of nothing. But I think it is very unlikely."

  Hellebore waved away the distinction. "Then let us begin. Tell us how to reach him."

  "It is not so simple. I found him for you. You will also need me to accomplish the rest of what you wish to do."

  Thornapple frowned. "Then who will we send for him? One of us? You?" "Not who," said the Remover, and laughed his papery laugh again. "You and your companions have used up your exemption from the Clover Effect, and you must take my word that travel to that world is no longer possible for me, either. In fact, I very much doubt you can find any willing tool on our side with both the power and self-reliance needed to make the crossing and find your quarry — brute force without wit or wit without sufficient strength would both fail, and with things changing so quickly you won't get a second chance, I think."

  "So there is no one we can send?" Foxglove seemed relieved. "I did not say that — I simply said it was not a 'who.' " With a strange, wet sound the Remover settled farther back into the darkness. "Bring me what I need, please. I will describe the objects to you. . . ."

  ————— While Thornapple and Foxglove searched for the mirrors, Hellebore stood with his hands thrust casually into the pockets of his trousers. He did not look directly at the place where the Remover sat, but that might have been courtesy, although Hellebore was not known for it. He had not seen this most honest of the Remover's various appearances before, but he had seen many things that even his most venerable colleagues could not imagine and was not in the least squeamish. "You realize that we will be crossing a line," Hellebore said at last, watching the angular Thornapple picking fastidiously through a pile of dusty framed pictures. "This will not be like what happened with the unborn child. If we fail, we may all be fed to Forgetting — you included."

  "That is not much of a threat to me, my lord." For a moment Hellebore looked troubled, but was distracted when the invisible figure stirred and even seemed for a moment about to rise and step out into the light.

  "Don't touch that!" the Remover shouted, voice ragged but startlingly loud. "Put it down!"

  Across the large room, Lord Foxglove, startled and a bit afraid, hastily put down the carved box he had been handling.

  "The mirror is not there," the Remover said, more quietly now. "The next pile over. Do not touch that box again."

  Hellebore had noticed something like pain in the Remover's words; he cocked a thin black eyebrow but said nothing. At last the two powerful fairy lords came back, staggering like overloaded servants, each carrying a large mirror framed in ugly, coarse black wood. At the Remover's instruction they propped them facing each other on the floor with perhaps an arm's span between them.

  "Here," the Remover said, and for a moment his hand appeared from the shadow holding a black candle in a dish. The two other lords quickly looked away, but Hellebore stepped forward and took the candle. "Put it down on the floor midway between the mirrors," the Remover said. "Then light it and step back."

  Hellebore touched index finger to thumb and made a flame. At the moment it ignited, the apertures in the ceiling above narrowed, or something else happened to block their light; within a few seconds the warehouse was dark except for the candle's flame.

  "Silence now," said the Remover of Inconvenient Obstacles. "And I'm sure it does not need saying, but I will say it anyway — do not reach between the mirrors or in any way interfere with the light passing back and forth between them until I have finished."

  He began to chant quietly, a sound only barely distinguishable from raspy breath. It seemed to take a long time. The flame above the candle shrank until it was scarcely larger or brighter than a firefly's lamp, a tiny point that nevertheless became the focus of all the darkness around it.

  Something began to form in the space between the mirrors, a faintly glowing cloud, as though the original light of the candle had spread into something watery and diffuse. The cloud grew more distinct without becoming more solid, flowing from one side to the other of the light that bounced between the mirrors. It seemed constantly about to take shape, but although it never quite did so, there were shifting suggestions of a face, a dark hole of a mouth and pitted, empty eyes. It was hard to look at it for more than a few moments, even for the three gathered lords of Faerie. As the Remover's tuneless singing grew louder the thing began to move more violently, writhing and snapping within the empty space between the mirrors like something trying to find its way out of a cage. The room grew piercingly cold. The thing's mouth opened wide, then even wider, as though it could swallow even itself if it wished.

  "What is it?" Hellebore's voice was perfectly modulated, not too fearfully loud, not too overawed and quiet. The Remover fell silent. When he spoke at last, his weary voice seemed to come from far away. "An irrha — a ghost from one of the older darknesses, a spirit of pestilence unknown in the mortal world since the stones of Babylon were leveled."

  "And it will . . . will do what we need? You said that force without wit would be useless. Are you telling me this . . . thing has wit?" Hellebore looked to his companions, perhaps for support, but they were staring at the shape between the mirrors with sickened fascination.

  "It does not need wit. What one of you would have to do by craft, it will do by instinct, for lack of a better word. It is terrible in its implacability. It will follow its quarry wherever he goes, in whatever world, without pausing to rest and without a single qualm or hesitation. It does not think, not as you and I do, but it does not need to. It will take new bodies as it needs them to pursue its quarry, so it will never grow weary. Eventually — inevitably — it will find him and
cleave to him, and then it will bring him to us. Clutched in its grip, the one you want will tell you anything, do anything, give up anything he has, just to be free of this hungry, gnawing thing."

  "Ah. I see." Hellebore nodded. "It is very good."

  "It is . . . horrible," said Lord Foxglove.

  "It is both," said the Remover. "In all the spheres there are only a few perfect things. This is one of them."

  ————— When the three lords left the warehouse room, they found the two ogre bodyguards halfway down the corridor, staring up at the ceiling with mouths slack and arms dangling uselessly. Their legs worked just well enough for them to plod after their masters, but it was only when the black coach's doors had thumped shut and the horse-faced chauffeur had laboriously turned it around and driven it back out of the narrow street toward the freeway that the bodyguards began to blink their eyes and mumble. By the time the long black limousine passed out of the waterfront district they could talk again, but the huge gray creatures still could not remember anything that had happened to them while they waited in the hall.

  5 BOOK

  "But, hey, you'll be getting some money from the house, right? You could buy your own PA system."

  "I don't know. I don't think so — not right now." "I'm serious, man. What they did sucked. I'd quit tomorrow if you wanted me to. We could find some other musicians, no problem. Guitar players, man, they grow on trees. The world is full of skinny guys who sat in their rooms all through high school learning to play every Van Halen solo."

  Theo couldn't help smiling, even though Johnny couldn't see him. "Yeah, just what I need. Hook up with another worshiper of the extended guitar break."

  "Whatever, man. Hell, we could get a keyboard guy, instead. We could play anything. You used to write some cool tunes, Theo. And lyrics, too — remember that thing you wrote about your father was a storm, or lightning, something like that? You should start writing again — you were wasted with the Clouds, anyway. You need to get back to your roots, dude. When I first met you, I used to think, 'Man, this guy's definitely going somewhere,' and I just wanted to hang onto you 'til you got there. You could be that guy again."

  "What is this, National Theo's-Over-the-Hill-Month or something?" Cat had said something like it, too. Potential. A great word for people to use about you when you were twenty, an embarrassment when you hit thirty.

  "What are you talking about, man? I'm just saying that you got tons of talent, Thee. You need to use it." It was hard to talk. It had been good to hear Johnny's voice, to get past the stumbling apologies and into areas in which they were both comfortable (like what an asshole Kris Rolle was), but now he was tired. He hadn't been talking much lately and he was out of practice.

  "I don't know, John-O. Maybe. Maybe later on. Right now I don't feel much like playing music, anything like that. You keep playing with the Clouds boys. Kris is pretty talented, really, even though I can't stand the skinny little bastard. Maybe you really will get a record deal. Don't give that up for me."

  "But you're my friend, man!" That caught him short. It took a moment to move forward, to continue letting go. "Thanks. Really. You're my friend too, John, don't ever doubt it. I'm just not going to be very good at friendship stuff for a little while. I'm . . . I don't know, I'm just out of juice. My batteries are empty."

  "So what are you going to do, now that . . . ? I mean, you gonna go back to Khasigian's?" "Not right now. I'm going to sell the house, take a little time. You know that old joke — 'Death is life's way of telling you to slow down'? Well, it works best when you're the one that dies, but I found out it pretty much works no matter what." He hesitated, unwilling to wander too far out into the things he had been thinking about. It wasn't really the kind of shit his friend wanted to hear, or would even understand. "I'm just not ready to be in the world right now, Johnny. Give me some time, I'll be back."

  "You better, or I'll come over and kick your ass." When he was off the phone he took a deep breath, stared hard at the pile of real estate forms on the dining room table, and decided that it really wasn't too early for a second beer after all. You could pour things into an emptiness like this all day but it would never fill up.

  Hey, I'm doing paperwork, selling property, right? That means I'm employed. I'm just lucky enough to have a boss who allows me to drink in the afternoon.

  He emptied half the beer in the first few swallows, then rubbed the cool bottle against his forehead, wanting everything to soften up, to get smooth and simple. Sure, he was drinking too much, but give a guy a break. He'd lost his girlfriend, their baby, and now his mother, all in a few months. Not a therapist in the world would fault him. And if he bumped into one who would, well, he'd smack him in the mouth.

  Shit. He stared bleakly at the forms, at the boxes of his mother's carefully ordered papers. The house was oppressing him, everything staying just where he left it each day because no one else lived there. All the clean, desolate surfaces, the empty rooms, his mother's things already stuffed into boxes and moved out to the garage because it was just too damn depressing to look at them any more. But yesterday the real estate lady had been in two or three times with clients, and seemed in her horrifyingly chipper way to think that she had a few serious buyers already.

  Thank God for a strong housing market. The faster it sold, the less time he'd have to live there. He finished off the beer, contemplated briefly getting two or three more out of the fridge and just cashing in the afternoon in front of some stupid television movie — not that he'd find anything decent, because his mom had never bothered to get cable, but that wasn't the point, was it? The point was to blot out the long hours, to smear the transition into evening, when he would have the excuse of going out to get dinner somewhere; then he could come back and safely, responsibly drink a few more beers like any normal householder, fall asleep watching the late news, and not have to think until the morning sun was blazing through the windows again.

  Something gurgled in his throat. It took a moment before he realized it was a scream bottled in his innards, a blast of misery trying to force its way out. He felt a chill across his hot skin, like the first signs of a bad flu.

  What am I doing? I don't belong here. He forced himself to get up and go to the table, staggering a little as he went — had it been four beers already, or just three? He sat in front of the boxes and spread papers, the tidy big blue envelopes from the realtor, his mother's address book and card files, but he found he couldn't move. The light suddenly seemed wrong even with all the drapes pulled, as though the entire house had been lifted out of the warm but unexceptional Northern California sunshine and dropped down onto the boiling surface of the planet Mercury. Worst of all, he felt something else staring out through his eyes, as though like a television image gone out of sync there was suddenly more than one Theo. It was the dream, the terrible dream that came to him so often, but he was awake. The alien presence was just . . . there, no thoughts he could share, nothing but a vague, oppressive sense of connection.

  Whatever the other Theo was, though, he didn't like it at all. It felt horribly cold, this phantom self, even in the midst of the heat that scorched his brain, cold as a nugget of ice dancing in the tail of a comet.

  What, am I having a . . . a stroke or something? Oh, God, please, no . . . His thoughts fizzed for a moment like a string of dud firecrackers, then the twist of strangeness suddenly loosened, leaving only the normal bleak light of a warm, shuttered living room and a single thought that remained echoing in his brain.

  Dead. They're all dead. He put his head down and waited until he felt like himself again, one single self. It was just a sort of fainting spell, coupled with depression. They weren't all dead, of course. Catherine was still very much alive, alive and dating someone else. And Johnny — shit, Johnny was immortal.

  Don't even think it. Don't jinx him like you jinxed the baby . . . Theo pushed the beer and also that terrible thought away, but when he tried to concentrate on the real estate papers again it w
as hopeless, like trying to read the grain of a piece of wood. Lender's details, fire insurance, contents insurance, title insurance. Hours of research. No way he was going to manage it with his head in this kind of shape. He looked at his mother's box of personal papers, saw the edge of an envelope with blue and yellow flowers stenciled on it, and pulled it out.

  It was a card, a kitschy illustration of a kitten playing with a ball of string while the mother cat watched contentedly. The printed verse inside read, Someone who helps me, someone who Keeps me safe and happy, too

  Someone who'll guide me my whole life through And that someone, dearest Mom, is you.

  Scrawled under it, ragged as a killer's confession,

  Hapy Birthday Love From Theo

  And here came the damn tears again. He couldn't even remember giving it to her. From the writing he must have been about six or seven. What was surprising was that she had saved it — his mother, the queen of unsentimental pragmatism. What else was in there?

  He took the box back to the couch and tipped it over. Most of what fell out were the kind of things he had expected to find in the carton, insurance policies, old bankbooks for saving accounts long closed — so why the hell was she hanging onto them, then? — and a few marginally weird things like a handbook for breast self-examination, hidden in its own little manila envelope as though it were pornography. But there were also a few letters to her from his father, one of which seemed to have been written in the Fifties, before they were married, while Peter Vilmos was still stationed in the Philippines and she was still in Chicago. Any hope that it might reveal his father's lusty, romantic younger self — the self a younger Theo had wanted to believe had been there before normal life had crushed it, but had never quite been able to believe in — disappeared quickly as he read it.